I have a Star Trek room in my home. We call it my office and I do a lot of my work there, but let’s be honest: it’s the room where my TOS collection lives. And I thought other people might like to see some of the memorabilia I’ve collected over the last 40 years. […]
George Merhoff, the gaffer for most of TOS’ run, delivers fascinating details about lighting the sets.
Fans believe so. But…
It’s big. It’s pricey. It’s gorgeous.
No. Well, maybe
My favourite Star Trek character lives in a museum in Washington.
The penultimate issue of the 1960’s Inside Star Trek offers fan letters and a visit to the sound stages.
This is a fun test of your TOS vocabulary, even if there are a bunch of errors.
A three-ring binder from my childhood years is a time capsule of newspaper clippings, photocopies, traced drawings, magazine photos, TV listings, and the nerd I was back then.
Author Howard Weinstein shared three Star Trek films with me. Each is fascinating. One is terrible.
Here are the five articles that generated the most attention.
The New York Times bestselling author was kind enough to tell me a bunch of his Star Trek stories.
Music editor Richard Lapham was entirely unknown to me. Sadly, I didn’t learn much about him here.
Lieutenant Leslie was killed in the middle of season two — and then pops up in later episodes. Eddie Paskey’s explanation for that is unlikely.
I love this little Cheinco trash can. It says so much about Star Trek collecting in the ’70s.
Mego’s bridge playset was a big miss on accuracy but a big hit for playability.
The second assistant director kept the set running on seasons two and three.
Gene Roddenberry thought the Saturday Night Live parody of Star Trek’s cancellation was “delicious.”
I wrote recently that the Enterprise is in fact a Starship-class vessel. Lots of people disagreed. Lots. But then they also disagree with Gene Roddenberry and Matt Jefferies.
Knowing the Enterprise’s class was a point of honour for young me, a bit of trivia that set me apart from kids who only liked Star Trek. It’s unfortunate young me had it wrong.
Read a wide-ranging interview with Takei and get confirmation that TOS did not employ invisible stagehands.
IDIC pendants, all the scripts, even actual film footage from the set. Gene Roddenberry had collectors in mind even as the show was still in its first run.
“Bones — what if I’m wrong?” Kirk asked in a touching scene in Balance of Terror. The original version of that scene was a mundane exchange until Gene Roddenberry fixed it the day before the cameras rolled.
If I had a time machine, I would return to August 1966 and pay AMT to make me a Galileo. And I wouldn’t need to bring much cash.
In the before-time when home video was unknown, we had Fotonovels. Those great photos meant we could examine the bridge, the transporter effect and the tricorder’s control panel. Fotonovel 1 retells the most famous episode, and includes Harlan Ellison informing readers his script was better.
The diorama is detailed, accurate and you can pick one up fairly cheaply, and it represents both William Shatner’s professionalism and a sad time in his life.
Although thoroughly American in origin, the diversity and peaceful collaboration the show espoused is very Canadian in tone.
Star Trek’s take on the Vietnam War. Kirk/Spock slash fic. Is the transporter a death machine? Why no seatbelts? You should read this book, but first read my post about it.
Theiss knew Andrea’s costume pushed censorship boundaries and he “was prepared for and eagerly anticipated the storm.” Read more about his favourite creations.
The episode is widely disliked, so you probably haven’t seen it in a while. I encourage you to watch it again. It’s not hippies and bouncy songs. It’s a mass murderer and his enthralled gang.
Walter Koenig, I need you. Please come back to Toronto. Also, did you know Canadians got to see Star Trek before the Americans?
Ruth Berman takes us into Leonard Nimoy’s office, costumer Bill Theiss reveals the placemat origins of the Elasian costumes, and there’s a strange bit about a warm Gorn.
Gene Roddenberry was right: Ellison’s version of The City on the Edge of Forever was not suitable for Star Trek, but the story is inventive and compelling and IDW’s graphic novel brings it to life with beautiful illustrations.
James Doohan planned to be a dentist, but a radio play led him to acting, a forgotten Canadian sci-fi show and then to Star Trek.
Nichelle Nichols owns a copy of her Ebony magazine-cover issue, but it’s in poor condition. I tried to give her mine.
I am a Star Trek fan. I mean, look at this web site. And yet I only scored 9/10 in the qualifying round. Read the post and tell me how you do.
I bought this book years ago. I had never opened it. When I did, I discovered three major Star Trek autographs.
What helps you deal with rainbow food chunks? Real alcohol in the blue drinks. Go behind the scenes with two Star Trek production stars.
DeForest Kelley and DC Fontana had a great character idea for Dr. McCoy. Instead, we somehow got Chekov’s girlfriend from The Way to Eden.
Before Doug Drexler’s huge contributions to four Star Trek series and five movies, he did his best to save the Gold Key comics.
This is a so-bad-it’s-good must-watch movie, and it tells you a lot about William Shatner’s post-Trek career.
You have likely never seen this licensed Star Trek kids’ booklet. It was made in Canada and the only one I have ever seen in person is the one I own. But you can download a copy right here.
It took two days to make Spock’s ears and 90 minutes to get Nimoy all the way into them. Issue 2 of Inside Star Trek featured makeup man Fred Phillips and art by modeler Greg Jein.
This is the best Star Trek poster I have ever seen. It’s big, it’s quirky, it’s a good likeness and you were supposed to cut them up, so that’s cool. Mine is also signed by Leonard Nimoy and William Shatner.
The Inside Star Trek newsletter is an invaluable source for Star Trek’s early voices. Issue 1 detailed William Shatner’s busy schedule, told us about searching through studio garbage and shared a made-up story about the Vulcan IDIC medallion.
The Omega Glory is the worst episode of the original series, but the View-Master version is magical. Step back to the 3D world of your childhood.
Mission to Horatius is the first original Star Trek novel published. The dialogue is terrible, the plot is ridiculous, Kirk commits genocide, and a dancing rat is an important character. So don’t read the book, but do read my fun teardown of it.
I have 13 William Shatner autographs. Eight of those I got in person. Three of those are extra special. This is the story of those three.
Gene Roddenberry’s 1964 pitch for his new show is arguably the most important Star Trek document ever. The pitch, usually referred to as Star Trek is…, was designed to sell the show to network executives and it’s an interesting look at Roddenberry’s earliest creative ideas.
Do you have a Gene Roddenberry autograph in your collection? If it’s on a Flight Deck Officer certificate then…probably no. But it’s a fun item anyway.
George Takei was thrilled when John Wayne cast him in The Green Berets, but that robbed Takei of the chance to pick up a Tribble with Uhura on K-7.
Except that story is not quite true.
Henry Fonda kicked off a dispute over a beer ad that almost kept Spock from appearing in The Motion Picture.
Leonard Nimoy used his celebrity to encourage others to quit smoking. He signed this American Cancer Society poster for me in 2006. And then, weirdly, Shatner signed it too.
The Franklin Mint 25th anniversary Enterprise is one of the most beautiful models ever produced, and I took a bunch of really nice photos of it.
I love the Enterprise. Its design is both beautiful and functional, and importantly it looks great on camera from any angle. I own a number of exquisitely detailed and highly accurate Enterprise models. This is not one of those, but I like it a lot anyway.
The Making of Star Trek is one of the most important books in TOS fandom, and Gene Roddenberry was an early advocate of the project.
I own the Amok Time story outline Ted Sturgeon submitted to Gene Roddenberry. It’s a fascinating look at the process of creating an episode and at the Trek that could have been.
Two guys pulled on the Gorn wetsuit costumes on the set of Arena in November 1966. I was fortunate to spend 20 minutes chatting with Bobby Clark, the better known of the two. Clark asked why Star Trek and the Gorn mattered to me.