If I had a time machine, I would return to August 1966 and pay AMT to make me a Galileo. And I wouldn’t need to bring much cash.
In the before-time when home video was unknown, we had Fotonovels. Those great photos meant we could examine the bridge, the transporter effect and the tricorder’s control panel. Fotonovel 1 retells the most famous episode, and includes Harlan Ellison informing readers his script was better.
The diorama is detailed, accurate and you can pick one up fairly cheaply, and it represents both William Shatner’s professionalism and a sad time in his life.
Although thoroughly American in origin, the diversity and peaceful collaboration the show espoused is very Canadian in tone.
Star Trek’s take on the Vietnam War. Kirk/Spock slash fic. Is the transporter a death machine? Why no seatbelts? You should read this book, but first read my post about it.
Theiss knew Andrea’s costume pushed censorship boundaries and he “was prepared for and eagerly anticipated the storm.” Read more about his favourite creations.
The episode is widely disliked, so you probably haven’t seen it in a while. I encourage you to watch it again. It’s not hippies and bouncy songs. It’s a mass murderer and his enthralled gang.
Walter Koenig, I need you. Please come back to Toronto. Also, did you know Canadians got to see Star Trek before the Americans?
Ruth Berman takes us into Leonard Nimoy’s office, costumer Bill Theiss reveals the placemat origins of the Elasian costumes, and there’s a strange bit about a warm Gorn.
Gene Roddenberry was right: Ellison’s version of The City on the Edge of Forever was not suitable for Star Trek, but the story is inventive and compelling and IDW’s graphic novel brings it to life with beautiful illustrations.