George Merhoff, the gaffer for most of TOS’ run, delivers fascinating details about lighting the sets.
The penultimate issue of the 1960’s Inside Star Trek offers fan letters and a visit to the sound stages.
This is a fun test of your TOS vocabulary, even if there are a bunch of errors.
Music editor Richard Lapham was entirely unknown to me. Sadly, I didn’t learn much about him here.
The second assistant director kept the set running on seasons two and three.
Read a wide-ranging interview with Takei and get confirmation that TOS did not employ invisible stagehands.
IDIC pendants, all the scripts, even actual film footage from the set. Gene Roddenberry had collectors in mind even as the show was still in its first run.
Theiss knew Andrea’s costume pushed censorship boundaries and he “was prepared for and eagerly anticipated the storm.” Read more about his favourite creations.
Ruth Berman takes us into Leonard Nimoy’s office, costumer Bill Theiss reveals the placemat origins of the Elasian costumes, and there’s a strange bit about a warm Gorn.
James Doohan planned to be a dentist, but a radio play led him to acting, a forgotten Canadian sci-fi show and then to Star Trek.
What helps you deal with rainbow food chunks? Real alcohol in the blue drinks. Go behind the scenes with two Star Trek production stars.
DeForest Kelley and DC Fontana had a great character idea for Dr. McCoy. Instead, we somehow got Chekov’s girlfriend from The Way to Eden.
It took two days to make Spock’s ears and 90 minutes to get Nimoy all the way into them. Issue 2 of Inside Star Trek featured makeup man Fred Phillips and art by modeler Greg Jein.
The Inside Star Trek newsletter is an invaluable source for Star Trek’s early voices. Issue 1 detailed William Shatner’s busy schedule, told us about searching through studio garbage and shared a made-up story about the Vulcan IDIC medallion.